![]() Your microphone needs to sit in something. Microphone Stands, Boom Arms, and Shock Mounts However, for most users these two pairs of headphones are functionally the same and come down to preference. The padding on the ears is also more than the Sony headphones, which might be more comfortable for users during long editing sessions. This pair of headphones is noticeably more expensive than the Sonys, but it has a higher frequency range, being able to pick up some of the highest frequency noises, and it has an uncoiled, detachable cable, which can help with packing into a bag. Sony MDR-7506 closed-back studio headphones ![]() They’re comfortable studio microphones with a great sound for monitoring levels and editing your podcast, all for a very reasonable price. One of the most popular set of closed-ear headphones on the market, the MDR-7506’s and often used as the workhorse of big podcast studios. When it comes to editing, having a solid set of headphones can make the difference between a well-edited episode and a poorly-edited one, because headphones with a greater frequency range can help you catch subtle sounds in your mix that a cheap pair of Apple earbuds will miss. You should be wearing headphones while you record, both to hear yourself and your guest. You’ll need a proper studio arm, preamps for power, and an XLR cable to use this mic. The 87A has a great sound when properly powered. This microphone has an excellent sound and can be easily used by podcasters (compare that to the much-lauded Shure SM7B microphone which is more power-hungry and thus has a more involved setup). Pro: Shure Beta 87A Supercardioid Dynamic Microphone ($249). Rode’s USB-enabled and more cost-effective version of their excellent “Procaster” microphone, the Podcaster is directly marketed toward podcast creators with its USB functionality, plug-n-play setup, and excellent sound. Both microphones come with a stand (the Blue Yeti’s is built-in, while the Samson has a tripod), however some reviewers have noted that the Samson’s stock tripod is a bit flimsy and could be replaced with a better stand (see below).īetter: Rode Podcaster Cardioid USB Microphone ($220). Simple functionality with the USB connection makes for an easy plug-n-play experience with your computer. Better and less expensive than the often recommended Blue Yeti USB microphone ($110), the Q2U has both XLR and USB connections for when you eventually upgrade your studio. Good: Samson Q2U Handheld Dynamic USB Microphone ($46). ![]() ![]() Later, you can upgrade to an XLR-connected microphone, attached to external hardware that can better control your sound. There are lots of options out there, but most podcast creators will want to start with a USB-powered microphone plugged into their computer. It goes without saying, but you’ll need some type of microphone to record. Instead, we’re giving you three common options for each category of item you’ll need, at three different price points, so you can build your podcast setup as quickly as possible. With that in mind, this guide won’t present you with every possible microphone you can buy for your podcast. Fewer want detailed explanations about every way one item is better than another. Most podcast creators want advice on what to buy so they can start their project. There are tons of guides extolling the seven different types of microphone, mixer, stand and other items that you could get to achieve the perfect podcasting setup. When it comes to buying podcast equipment to start making your next great idea, the number of options to choose from can be paralyzing.
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